You Are NOT a Designer If You Never Used These 41 Fonts

Last Updated on July 6th, 2020

Do you know the main difference between websites that attract more traffic than those who are just amateur looking is? It’s preferably all in the small details that lure the audience towards your web content.

Many aggrandize towards artistic attributes rather than non-professional looking designs by the web developer. Thanks to font designers, now we practically have thousands of fonts to choose from without any hesitation. It is popular among the competitors of the digital market that while the other designers are busy making offset edits in logo designs, adding relative photos, the successful designers look at the bigger pictures. They entice the spectators through convincing font style. Read why you need a professional logo before starting your business here.

If your title is unique and makes the viewer feel that the content is giving an enthusiastic vibe, it will outdo all other minor aspects of the web. If the designer has proposed a better heading trend, the person hiring the developer will get a better idea regarding the designer’s energy and efforts.

Now I will mention 41 fonts that have practically become any designer’s best friend.

1. Open sans

This font Comprising almost 879 characters, was first ascertained by Steve Matteson. It has been mostly used as an opener or in the title of the website.

Open sans

Open sans

2.  Lato

This font family is a mix of transparent as well as strong characters. Endowed by Łukasz Dziedzic in the summer of 2010, it elaborates on the dark backgrounds and works in a charmless manner on the light frameworks.

Lato

Lato

3. Lora

A look of contemporary touch, made to enhance the body texture beautifully, was first designed by Cyreal. It was created to magnify the content for the reader. Also, it helps the designer make it up to the client’s standards of acceptance. It was recently updated with new characters in 2019.

Lora

Lora

4. Georgia

Georgia, one of the oldest and most calligraphic types designing the font, has been accepted as the most favorite among the logo designers. Aesthetic, charming, and delightful for the observer.

Georgia

Georgia

5. Myriad pro

It is one of the most welcomed fonts with various adobe boosting artistic look. Some of the best logo design agency have drastic use of this font as its elicit and appears friendly.

Myriad pro

Myriad pro

6. Eurostile

While looking out for an individual text style for both heading and body narratives, Aldo Novarese, in 1962, published this font for the preeminent time. It gives the text an experimenting incitement between italic and thick typeface along with a dramatic style to the content.

Eurostile

Eurostile

7. Scala

Scala is a mix of small capital letters, alternate characters, and bold forms. It can give the content a very decorative look.

Scala

Scala

8. Syntax

Hans Eduard Meier wanted to give a humanist touch to a font style, and in 1968, he became successful by introducing syntax. This font has variable characters that evaluate the content by bold, clean, and sturdy look.

Syntax

Syntax

9. Joanna

Eric gill was motivated to give the text a more elaborative gaze for the viewer and, thus, in 1930, introduced joanna. This text font is simple, understandable, and unpretentious.

Joanna

Joanna

10. Fleischmann

The characters vary from each other in digital form. If the designer is opting for a digital marketing glance for the viewer, this font is the perfect fix.

Fleischmann

Fleischmann

11. Palatino

It is one of the top ten most used font styles for designers. It was introduced in the form of book text but gained its popularity through rapid and distinctive characters.

Palatino

Palatino

12. Baskerville

If the designer is opting for a well readable on-screen text, Baskerville is the best choice. It marks its significance with more comprehensive characters, taller height, and lesser contrast.

Baskerville

Baskerville

13. Fedra

Fedra, founded by Peter Bil’ak in 2002, emerged as a particular that evolved in the digital as well as book text. This font gives a multilingual contemporary glance to the text.

Fedra

Fedra

14. Gotham

Gotham has electronic setting characters that the designer can fluctuate according to the demand. Not only this, but the developer of the website can bring forward a unique and elaborative style that will make the viewer feel the future.

Gotham

Gotham

15. Lexicon

It is one of the most expensive fonts, but considering the art that evaluates and differentiates it from other fonts, is highly worth it. The designers who have used it in the creative logo design have earned a reputable name.

Lexicon

Lexicon

16. Hands

Let terror initiated this creative concept in 1991. The characters are imaginative hand characters varying in different styles.

Hands

Hands

17. Metro

Metro, comprising almost 1001 characters, gives the content an engaging and a captivating effect.

Metro

Metro

18. Didot

It is similar to Times New Roman, but the letters in this font are more curved. The characters are subtle but at the same time, have a stylish look for the text of the body.

Didot

Didot

19. Formata

This graphic design font was brought in use by Bernd M llenst dt in 1984. The primary reason any logo design company will use this font in the styling of the web content is just for a detailed view of the text. It is made explicitly for headlines and outlines.

Formata

Formata

20. Caslon

William Caslon, in 1725 introduced this charismatic typeface in 1725. This stylish font is a mix of quality and ambitious concepts and kept as a format for texts of journals, and newspapers.

Caslon

Caslon

21. Cooper Black

Oswald B. Cooper, in 1919, launched the ultra-bold containing characters that emerged by earning its name as most usage in title names and outlines.

Cooper Black

Cooper Black

22. Peignot

This typography is a combination of multicase and small capital letters. It was not until 1937 that it gained popularity through books and journal texts.

Peignot

Peignot

23. Bell Gothic

Bell gothic, introduced in 1938, for use in phone book text and other related work due to its attractiveness and easy to read availability.

Bell Gothic

Bell Gothic

24. Antique Olive

The characters in this font are a mix of condensed, medium, bold, italic, extra bold. The uniqueness of the characters enhances and beautifies the text more than other fonts and mostly preferred by professional designers.

Antique Olive

Antique Olive

25. Wilhelm Klingspor Gotisch

The font has a calligraphic touch. Gotisch, initiated by the chief designer of Klingspor, audited as a typeface attracting an audience for the impressive look of the body text.

Wilhelm Klingspor Gotisch

Wilhelm Klingspor Gotisch

26. Dax

The most popularly used character design in marketing and advertising is Dax font. Since its launch in 1995 by Hans Reichel, it has forever evolved and gained popularity through engaging outlines and title styles.

Dax

Dax

27. Proforma

For a sophisticated and classy look to the logo design, this font has gained acclaim. Also, this font will advertise through its contrast colors in a demanding fashion.

Proforma

Proforma

28. Today Sans

Volker K ster designed this font to give the characters a creative look in 1988. It was made to elaborate the typeface glancing a nostalgic and decorative spin.

Today Sans

Today Sans

29. Trade Gothic

This font style appears as an irregular style for the title and has different prevalence due to it’s striking charismatic touch for the font.

Trade Gothic

Trade Gothic

30. Swift

If the designer is opting to fabricate a creative logo design for a financial or non-profit organization, this font will come out as the best choice for such brands.

Swift

Swift

31. Copperplate Gothic

Frederic W. Goudy launched a design that compelled the audience through a combination of style and legibility.

Copperplate Gothic

Copperplate Gothic

32. Blur

This font style gives an electronic texture to the title and blurry vision. If the designer is visualizing a powerful yet elegant theme for the title or outlines, this typeface is the best choice.

Blur

Blur

33. Base

Zuzana Licko instigated this font style in 1995 for HTML design for giving the logo a tender and optimistic touch. The typeface is an old school vogue trend.

Base

Base

34. Bell Centennial

The characters belonging to this font are very bold and bright and have optimizing effects on the logo text. The viewer will be astounded by the surface undertone of the imaginative creation.

Bell Centennial

Bell Centennial

35. News Gothic

This font style is another type of newspaper and journal text design that became immensely popular after its launch in 2008 by an employer of Benton, who was the actual mind behind this loud but polite flair.

News Gothic

News Gothic

36. Avenir

Vintage, classy, buoyant, all these will explain this font as chic. This captivating yet beguiling design has possessed the clients with its charming urbanity, which the designers prefer above all.

Avenir

Avenir

37. Bernhard Modern

If the client’s incline towards bespoke services for a wider audience, this font is the perfect choice for any designer.

Bernhard Modern

Bernhard Modern

38. Amplitude

Christian Schwartz, in 2003 released an astounding modern chic that became the reason for the rise in the competition regarding the designer’s outlook on the broader aspects.

Amplitude

Amplitude

39. Trixie

There are five styles to this font, light, plain, text, extra, and cameo. It entices the logo design through the legalized look and used for office advertisements.

Trixie

Trixie

40. Quadraat

Quadraat is a mix of roman and italic modish characters, which benefits the designer by giving more familiarity to the logo’s readability rate.

Quadraat

Quadraat

41. Neutraface

Christian Schwartz released this geometric font in 2002. It plays the principal purpose in newspapers and journal outlines and body text due to easy readability and simple, understandable characters.

Neutraface

Neutraface

Final Thoughts

As mentioned above, those are just a few fonts that have embarked on the success journey over the years through continuous preference by the designers of the titles and creative logo designs. Advancing time, more variety, and diversity in the font designs will raise the competition in the graphic designing market. Fearing challenges is not a trait of a successful designer. More fonts and typefaces are expected to be introduced in the future.

  • A Picture of Waqas D.

    Waqas D.

Waqas D. is the co-founder of the branding and website agency, FullStop™. He supercharges brands by crafting memorable logos, brand identities and engaging websites. Besides thousands of startups and medium-size businesses, FullStop has worked with likes of Microsoft & L’Oréal. View our portfolio or get in touch.

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